My practice is grounded in an iterative exploration of structure, material, and the human form. Whether working in wood, digital render, or layered abstraction, I approach each piece through a process of questioning—“what if?”—allowing form to evolve through manipulation, distortion, and reconstruction.

I consider all cultural visual languages part of the human inheritance. My work draws from global traditions—African sculpture, Gothic architecture, modernist formalism—not as appropriation, but as resonance. These influences enter my work through form, not concept, and are transformed in the crucible of making.

Each piece begins with a tactile engagement with structure and ends in a figure that feels at once mythic and personal, eroded and eternal. I am not narrating; I am building—one decision at a time—toward a form that asserts its own presence, meaning, and authority beyond me.